Making the perfect pencil portrait drawing

Making the perfect pencil portrait drawing is a fun and rewarding process all by itself. The techniques used for family paintings can vary as much as individual artists. Portrait sketching has many forms which all involve some level of drawing skill.

Most pencil art students sketch their own pictures first. This drawing receives an approval stamp from the teacher, it is printed in a book of text, and an copyright is applied when the drawing is completed. The popularity of the sketch idea also creates the drawings. This process takes the student into the classroom and the class follows how the instructor prepares the children for their drawings. A published book on drawing will begin with the basic drawing skills, to more advanced drawing theory to eventually cover a teacher- volcano teacher- graph that the students will receive all three level skills for all the students to have a complete set of drawing practice.

The student will draw themselves from the basic building blocks, and then draw their family on the top of these buildings. These buildings are all carefully measured and glued in place. Kids love this part of their lives and those teachers have many students take down pictures of their family in their classroom.

The artwork is compared to items in the form of squares that represent the building. The pencil drawing project will end up more complicated than the beginning sketch. The 2D drawings are to be compared to the objects in the form of rectangles that represent the square. However, these 2D drawings are also to be compared to the real buildings and closely inspected to get in observing how the buildings are made and how they contribute to the overall appearance.

In all they can work on the sketch, drawing, and the basis preparation for custom drawings from photos. The choice of material is more important than the technique of writing a sketch. The pencil sketch will be written on paper. Umbrella spiral marker pen or calligraphy pens can be used. In all situations the loss of the pencil during the actual drawing is not a problem. Once the proper techniques are learned by all this voices will music to page.

Complete and accurate measurements on all items will insure the correct drawings. The sheets of paper to height and size will be measured. A handy measuring tape or tolerance equipment must be used to determine the paper thicknesses, the distance between the paper cuts, and the lengths of herring line. Each type of writing experience playing a crucial role in studying the art of print making.

No matter how challenging the project, the time spent in drawing such as writing the meeting of the property line, drawing in fabric, and guesses at color ideas. No other subject matter can compare to the most rewarding aspects of obtaining college rat race grades. Knowing that the schools will still be there to give you a degree, knowing that you are probably going to be a famous running bride and partner, knowing that you made such a valuable contribution to your field. The creation of a pencil portrait of an artistic family tree.

Tips for buying oil paintings for home

Buying oil paintings is no longer a tricky task because there are several sites offering some nice masterpieces to get for your home. But, if you are buying for the first time, take following things into consideration to decorate your home in a correct way.

The first thing you should take into consideration when choosing oil paintings for your home is the size of your room. Many paintings are made in different sizes to cater different room sizes. In a home, the size of the room will determine the size of the painting. Buying for the first time, a large room needs a large sized variety. Smaller room size needs a small size painting. If you are buying for your kids you can buy those paintings in color using their favorite colors. You can also consult your kid’s interest to know what they really like.

Oil painting can be also be an investment to decorate a home. But, the difficulty in buying an original oil painting to decorate your home is the question of originality. In the end, we need original artworks in our home for which you have to plunk down some extra money. But, the price of original artworks for your home is worth for the long-time investment. You can also create your piece by yourself. But it will take some time before you can create a piece of art by yourself. But, it will be worth the time spent.

Another consideration when buying for oil painting is its color. The color should be taken into consideration when buying a painting to decorate every room of your home. If you have a theme for your home, talk to a person who knows about colors at the art store they might give you some tips and advice on choosing the perfect color. Sometimes, if you are going to buy a small painting, make sure that the color of your room co-ordinates with that of the small painting. You can also use alternative colors to accentuate a room; however, be remember that another color can be the one that plays a great role in coordinating the rooms in your home. You have to decide which color are matching and which is not since this greatly determines which colors to use.

You can decorate a home with oil paintings by yourself by following some instructions from experts. Finding the right information on how to paint an original oil paintings, in a correct way is essential to have a nice piece of art to decorate your home. Painting your own piece of art is not hard as long as you have the essential information and guides you can follow.

If you are looking forward to have a nice painting of this kind for your home, you can contact a decorator and have it done for you. Instead of buying by yourself, you can have it nicely done by experts. There are prints available online to decorate your home. You can freely print some version and the art will arrive in a good handy to wherever you will place you small piece of art in your home. You can have a good looking painting that is unique and original and not reachable from any home.

Choose paintings that are original for your home to decorate your home. If you are unable to buy original artworks, you can have your own painting by having it printed by professionals. Just find out places to buy paintings near me.

How to choose colors of wall art?

Colors on your wall space, canvas wall art will reveal your character and have an impact on your mood.

Some colors match each other while others may not. This is an vital aspect to think about when selecting your couch’s upholstery color, your wall paint tone or the colors on your canvas artworks. It will be less difficult to determine on your home’s color style by using a color wheel. You can easily find one at hardware retail store where paint is offered.

Find out how to utilize a color wheel to decide which colors go with each other and make other colors in your room look more intensive. To complement colors look at shades reverse each other on the color wheel and work with those shades for your wall paint, upholstery and canvas art sets.

The color across another color can improve each others visual attraction. Each color will possess different shades from slight to intensive shades. Pick the ones that charm to your preferences. If you really like vibrant strong colors work with those for your accentuate wall, on your modern wall art or furniture. Painting all the wall space in an intensive color like brilliant red or orange may be too overpowering.

One more thing to take into consideration is the coolness or warmness of the colors. Warm colors such as red, orange and yellow can make a person feel positive and happy. Warm colors motivate while cool colors just like blue and green can calm you down. Choose your colors according to these factors as well.

In case you would like a exciting environment on your family room, paint an accent wall red or yellow, or hang red-orange 4 piece canvas art sets. Select blues or greens for your sleeping rooms where you must be able to rest. If you aren’t certain whether to go for warm or cool colors, go for neutral tones such as beige, tan, gray, white or brown.

Circle of Life

The Most Famous Paintings

There are lots of artists that have actually left their tradition behind, they were stressed regarding what they did as well as produced their artworks that the globe will certainly continue to keep in mind for generations ahead.

Our group of art connoisseurs have actually identified a collection of most famous paintings on the planet that have had the maximum imaginative effect as well as recognition. This list makes up works by a wonderful many well known musicians that are currently housed in the several of the world’s finest galleries. Yet, acknowledging that assessment of art is totally subjective, it is easy to understand that few will certainly not agree totally with the components of the listing. Feel confident that the listing of top 100 masterpieces is only an acknowledgement of the enormous contribution of the musicians that have made them so unforgettable.

This cosmos has lots of art as well as motivation, that is what everybody can see, however it takes a really skilled and also visionary artist to choose paint as well as brush and highlight their thoughts, visions and also this lovely cosmos into paintings.

The best paintings simply take your breath away! They have a special style or a new paint design that makes it to standout in this congested field.

There were numerous paintings are drawn on a day-to-day basis however there are just a few that will produce perceptions in our spirit. The artists are so gifted that they can show the feelings of the entire world in one image. The only thing you need to do is to evaluate and really feel the perceptions of the paintings. There are numerous paintings are reeled in the globe that is critically well-known as well as became famous throughout the globe. Paintings are being drawn given that the ancient time and also it is still uncharted just how the people are illustrations such paintings so completely though they don’t have proper tools at that time.

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House & Home: Canvas Wall Art

Here’s the article full of tips for another great project, from the experts at cheapwallarts.com. My colleague Stacy Smoothers and I came up with a great way to make a star wars art. You start off with a drop cloth. It’s made of canvas and it’s available at cheapwallarts.com. Next, I’m going to fray the edges to give it a bit more of a relaxed look. And the next thing we’re going to do is give this piece of canvas a coat of primer. So using a foam roller, just like you would a wall, give it a nice even coat.

And if you’re doing this on a table, just make sure you put down a second drop cloth to stop it from leaking through. So we’ve let this primer dry and now it’s the fun part. I’ve actually chosen 3 shades of paint kind of all in the same family but slightly different. This first one is called “Wave”, it’s a Beauti-Tone paint, it’s a gorgeous shade of turquoise. I’ve also got this one called “New Prints”, it’s a pretty vibrant turquoise as well but a little lighter. And then this “Kelly Green” which is actually called “Rocket”. To help with the application process, I’m going to pour some of the paint into these plastic disposable cups.

So we’re just pouring it down the middle, just kind of have fun with it, there’s no real rhyme or reason to this. And remember maybe less is more to start out with because we can always add more. Finally, we’re just going to add the lightest of the 3 shades. I might just use a little less of this colour and think of it more as an accent. And you can see that these shades are kind of starting to marble together and they almost look like jade. Just think of yourself as an artiste. Next, we’re going to take the canvas and actually fold it in half, right over everything you’ve just painted, and then just kind of give it a nice pat. And reveal your masterpiece. It’s kind of like ink blot art. Wow, it’s pretty cool. So the beauty of a project like this is it’s quite organic and you can add more after you’ve already opened it up. I’m going to take some of this “Writer” turquoise and kind of break up some of this “Kelly Green”.

And now I’m going to add a little bit more of this lighter turquoise as well. Maybe I’ll do a free form blob here. Just like we did before, we’re going to fold it back in half. This time you don’t need to press quite as hard because you’ve already got a lot of marbling happening, so we’re just going to kind of focus it where I added the new paint. And then open it up just like we did before. Wow, I think I’m pretty happy with this. You want to lay it flat to let it dry and then hang it up on your wall. These 3 shades of green and turquoise work beautifully together. You really could use any colour palette you’d like but I do suggest that you use 3 colours.

This project is inexpensive, super easy to do, and adds a great graphic punch to any room in your home. Home Owners Helping Homeowners with Expert Advice .

Where to buy Francoise Nielly Syle Paintings

In Francoise Nielly’s paintings, she would not use any modern tools and employs only oil together with palette knife. The colors are spread roughly on the canvas and become a really powerful work. Her portraits encapsulate potency of shades like a wonderful way of experiencing life. The notion and form are just starting factors.

See this video about Francoise Nielly paintings

Art pieces by artisan Franoise Nielly use a visible depth that project right from each one composition. Having acquired palette knife painting ideas, the painter utilizes solid strokes of oil on canvas combine a particular abstraction into these figurative portraits. The paintings, which can be based from basic white and black photographs, feature excessive light, shadow, deepness, and energetic neon color styles. Based on her resource on Behance, Nielly just takes a risk: her artwork is sexual, her shades free, contemporary, amazing, sometimes mind blowing, the cut of her knife incisive, her color selection pallete superb.

Nielly indicates a safety exploration in the direction of impression and becomes an instinctive and wild target of expression. As soon as you close your eyes, you wouldn’t imagine a face, having colors, however if you think about it strongly, everything obtains a form via our wants and needs. The most anxious soul can have colors, which are covered but always alive. Lots of individuals assume that in a portrait, there is always a relaxation that escapes, however in my estimation, every purpose is customized in their face. Eyes find out sins and keenness, a grin uncovers peace or maybe a decisive lie, and vibrant colours indicate choices without having a lot movement.

Francoise Nielly is surely an artist described as challenging and complex ideas indicating captivating and important energy and strength.

Would you love Francoise Nielly’s artworks? Do you desire to get a portrait painting created by artist? I am not sure if Francoise consider commission job? But when she do, i bet the charge will be super expensive as most of her art sell $10,000 to $30,000. That being said, basically, it is nearly difficult to let Francoise Nielly create your portrait, nonetheless, guess what, our experienced artists can! We are able to create your portrait the same as Francoise Nielly do!

Francoise draws lines to find charm, emotion, and concentrate of memories. Each and every portrait represents a sense of fulfillment and gloominess. When we finally learn this sort of sensual, significant and overwhelming drawing, we know that particular attention can thrust deeply in any look, in the action, in position which describes ones methods of being. The shades are exactly what makes Nielly’s paintings so valid and natural and it’s hard not to adore her themes. Quite a few would be the inspirations, which grooving within such feeling, and the majority of would be the classifications which might be stated. ?Have you told yourselves how important this is to obtain tones? As well as asked yourself how important it may be to manage this sort of styles?

In the way, Francoise Nielly shows our face in each of his paintings. And then she paints it again and again, with slashes of paint throughout their face. Experiences of personal life that show up from her artworks are put together at a clinch with the canvas. Coloring is set in motion say for example a projectile.

Personalized Francoise Nielly Potraits

In Francoise Nielly’s Art, she will never use any modern technology and makes use of only oil together with palette knife. The shades are published roughly on the canvas and grow into a very impressive work. Her portraits encapsulate energy of shades as if a outstanding method of experiencing life. The notion and form are simply just beginning points.

In her own way, Francoise Nielly portray the human face in each of his drawings. And she paints it consistently, with slashes of paint all over their face. Moments of personal life that come up from her artwork are created by a clinch with the canvas. Colour is formed being a projectile.

Nielly shows you a safety exploration for touch and results in being an instinctive and wild target of expressions. As soon as you close your eyes, you wouldn’t expect a face, which includes colors, however if you simply give it some thought very closely, everything acquires a form by means of our desires. The most plagued soul could have colors, which happen to be hidden but always alive. A lot of us reckon that in a portrait, there is always a balance that escapes, however in my estimation, every indicating is impressed in their face. Eyes find sins and passion, a smile finds fulfillment or even a decisive lie, and brilliant styles reflect judgments without having a lot movement.

Francoise Nielly is an artist known as advanced and sophisticated ideas showing charming and very important energy and strength.

Would you like Francoise Nielly’s artworks? Do you wish to buy a portrait painting created by this artist? I don’t know if Francoise consider commission job? But in the case she do, i bet the cost are going to be very expensive as most of her paintings are selling $10,000 to $30,000. Therefore ,, basically, it is nearly very unlikely to let Francoise Nielly draw your portrait, but, you know what, our experienced artists can! We can create your picture exactly like Francoise Nielly do!

Art by artisan Franoise Nielly contain a visible vividness that project by every composition. Having improved palette knife painting ideas, the painter utilizes dense strokes of oil on canvas combine a unique abstraction in to these figurative portraits. The art pieces, which might be based off of simple black or white images, feature serious light, shadow, detail, and energetic neon colors. According to her bio on Behance, Nielly involves a risk: her painting is sexual, her color styles free, modern, surprising, sometimes mind-blowing, the cut of her knife incisive, her colors pallete eye-catching.

Francoise Nielly paintings for sale

Francoise draws lines to discover beauty, emotion, while focusing of memories. Every portrait signifies a sense of happiness and depression. When we explore this kind of sensuous, expressive and confusing drawing, we know that attention can thrust deeply inside a look, from a action, in a position which defines ones methods of being. The colors are why Nielly’s art so realistic and natural and it’s really not possible not to love her subjects. A great number of might be the inspirations, which dance in these kind of sensibility, and most could possibly be the interpretations which may be portrayed. ?Have you ever asked yourselves how beneficial it happens to be to own tones? Have you been curious about how important it should be to acquire these kind of color styles?

Geleynse’s longstanding interest

Geleynse’s longstanding interest in models of machines and viewing apparatus is evident in his newest work, Interview (1997). With the artless simplicity of a “working model” Interview charms the viewer into considering its large and frightening implications, such as the reduction of intricate human operations of the mind and the heart to schematic machinations. A film projection on ground glass shows the head and bare shoulder of a man, smiling and nodding at the edge of a table. The man’s height and his shy smiles give him a child-like quality, alluding to the influence of childhood experiences in the formation of personal identity. In this installation the projector is placed behind the image, while the viewer is offered a chair in front of the table to which the push button is attached. Interview offers a “demonstration” of the construction of personal identity. The I is lodged between (inter) views of the present observer and projected views from the past. Yet the man remains mute and mysterious; in spite of his apparent willingness to open up to us, the viewer can only fantasize about his identity. As in all Geleynse’s installations, the film-loop’s open-ended narrative counteracts the simple solution the model at first glance seems to promise.

The attempt to control complexities through distancing, miniaturizing, “normalizing” and abstraction is embedded in Dutch culture. It is manifested as much in Mondrian’s paintings, the architecture of De Stijl and the emblemata of the seventeenth century as it is in a language rife with proverbs. Scale models and aerial views are a Dutch obsession to this day. Geleynse, who emigrated to Canada from Holland when he was a child, remains under the spell of the overview, yet continues to deconstruct its totalizing effect.

It is this stubborn obsession to make sense of his own life while admitting failure to do so coherently, that keeps Geleynse’s work fascinating. Such a personal search involves a rare unmasking of the masculine masquerade, an act of bravery performed in a coming-of-age story played out here in four related installations. In the middle of the room, I Want More Than This (1996), shows a life-sized framed picture of a boy in his Sunday best. The boy seems caught in the deeroticized domestic space represented in three large photographs on the walls that seem straight from an Eaton’s catalogue of the fifties. In a frame on the dresser in Their House (1996), the film-loop projects the smiling face of a woman, then of a man, never seen together. They are re-assuring, happy faces, as they would appear to a baby in his crib, bestowing a rain of smiles and kisses on the boy, to welcome him into their house, into the story of their lives.

As one of several details that Geleynse has added to the photographs, in the Living Room (1996) a tiny naked woman is stuffed into a decorative cup. The film-loop projects a man on a framed photo of a bathroom, gesturing wildly and hiding his face, as if resisting a gaze that would fix him in this environment, where the irrational is turned into the functional. In Spare Bedroom (1996), a distressed, naked man is projected onto a mirror, in the corner of this unlived-in room. A person (the mother?) has just stepped out, only the heel of a shoe remains visible. A stiff, stuffed clown lies on the floor beneath the mirror.

Yet such Freudian motifs bring us no closer to providing explanations for the distressed behavior of the projected man. The film-loops, these mesmerizing veils the magician Geleynse pulls through his magic machine, continue to transform and trouble any posited truth, from Freud’s totalizing story to the (re-)viewer’s own concoction.

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The Painting of Modern Life

Various artists, including: Richard Artschwager, Vija Celmins, Peter Doig, Marlene Dumas, Richard Hamilton, Eberhard Havekost, David Hockney, Johannes Kahr, Malcolm Morley, Gerhard Richter, Luc Tuymans, Andy Warhol and Liu Xiaodong, Curated by Ralph Rugoff Hayward Gallery, London

When photography first came to prominence in the 19th century, it allegedly led narrative painter Paul Delaroche to proclaim, “from today, painting is dead.” From that moment onwards, painting has been sentenced to a thousand deaths, only to find itself resurrected and thriving within contemporary art practice. Had Delaroche foreseen the Hayward Gallery’s current show, The Painting of Modern Life, he might have declared instead that painting can no longer exist without photography.

This timely exhibition surveys how contemporary figurative painting has engaged with painting from photographs. Curated by the gallery’s recently appointed director Ralph Rugoff, it brings together over 100 works by 22 painters. Among the artists included are Gerhard Richter, Peter Doig, Liu Xiaodong and Marlene Dumas.

The title of the show is inspired by a famous essay written by Baudelaire, in which the poet called upon 19th-century painters to reject the exalted ideals of painting history and instead embrace the gritty realness of the world around them. Fast-forward about 100 years: according to the show’s introduction, the 60s generated a need for artists to revisit Baudelaire’s concerns, when abstraction established itself as the reigning new art form.

This show traces the vast possibilities of the camera and provokes the question: has the painting from photo become the essence of contemporary culture, or is it nothing more than a filter that mediates our perceptions of reality? The types of photography deployed are far-reaching, and range from newspaper front pages, advertisements and paparazzi shots to film stills, found images and amateur family portraits. The most compelling works on display here are by the artists Luc Tuymans and Gerhard Richter, who use the painted image to destabilize the authority of the camera by revealing its limits as a subject and as a mode of seeing.

The show begins with an exhilarating introductory room that showcases a group of key painters who grappled with the emerging power of mass media during the early 60s. The discerning combination of Andy Warhol, Gerhard Richter, Vija Celmins, Richard Artschwager and Malcolm Morley gives substance to the show’s thesis immediately. Richter’s Woman with Umbrella (1964) is by far the most poignant work. By using a wet brush to blur the painting’s finish, the artist enshrouds his female figure in a haunting mist that accentuates the anonymity implied by the title. Only after looking beyond the seductively ethereal surface of the canvas does one recognize the subject as Jacqueline Kennedy, grieving for her assassinated husband. After a rousing first room of pioneering artists, the exhibition begins to weaken under the weight of the uninspired thematic sections that divide the layout. Those well-known artworks are reproduced and selling to the world market by art reproduction company. They include “History and Politics,” “Leisure and Everyday Life,” “Work,” “Social Space,” “Modern Individuals” and “Family and Friends.” The decision to use the commonplace subjects of modern life as an organizing structure is disappointing, and these categories leave the viewer with a handful of banal terms that seem completely meaningless.

Yet by freeing the exhibition from the restraints of chronology, the more iconic works can be seen from a fresh perspective. The flail power of Warhol’s silkscreened lavender and green Big Electric Chair (1967) becomes apparent when hung in the same room as Marlene Dumas, Vija Clemins and Richard Hamilton. And Malcolm Morley’s photorealistic paintings, dating from the 60s, reassert his relevance to current art practice. His most alluring work is On Deck (1966), a scathing portrayal of passengers on a cruise ship basking in middle-class pleasures. The subject is taken from a travel brochure that he meticulously grids up, which brings a sense of the epic to the cliched aspirations depicted.

To a degree, this exhibition touches upon the changing face of photography over the decades. Nowhere is that more striking than in the work of Eberhard Havekost, who deploys the artifice of digital technology to give a grisly murder shot of a tourist’s body in a red sports car the high-octane finish of a glossy fashion magazine. For the most part, though, this show neglects to give an account of how photography has evolved, and whether this sets up new parameters for these artists to work within.

There are also instances when the curatorial decision to cover half a century of representational painting seems too ambitious in scope. The show overlays pop, photorealist, expressionist and conceptual works, and, as a result, one is confronted with a mishmash of incompatible stylistic tendencies that lose their potency when divorced from their context. It is the contemporary works that suffer here, as they tend to feel outdated: because they are not yet easily recognizable within a definitive art historical movement, the viewer relates them back to the early works they are hung alongside.

The most memorable of the contemporary pieces is Luc Tuymans’ Passenger (2001). Situated in one of the last rooms, it depicts a desolate, bleached-out everyman who seems consumed by the existential malaise of everyday living. However, the impact of this work is undercut by its inclusion in a conceptually rambling section called “Modern Individuals.” Within this grouping, one finds David Hockney’s 60s pop-inspired homoerotic shower scenes and, not too far off, Johannes Kahr’s 93’09” (1997), a hyper-realistic yet contrived translation of a still image taken from the film Taxi Driver (1976). These three paintings have little in common, and their choices of subject, as well as their approaches to painting, could not be more frustratingly disparate. Criticisms aside, The Painting of Modern Life offers an intellectually rigorous journey and attempts bravely to reposition a strand of painting within art history.

Workshops, courses & talks

* Brighton Museum And Art Gallery Church St 0273 603005 “Women Surrealists: Transcending The Male Fantasy” lecture by art historian Alex Sutherland 5 Nov 13.05hrs “Impressionist Women” lecture by artist Flick Allen 12 Nov 13.05hrs Angelica Kauffman: the muse of painting” Dr Wendy Nelson-Cave 10 Dec 13.05hrs “Women’s Art Workshop” One day workshop led by artist Flick Allen: participants will be encouraged to explore through different media a range of themes including ones related to issues of gender 7 Dec 10.30-15.30hrs

* Brighton Royal Pavilion William IV Room Church St 0273 603005 “Why No Place Fox” Women in The Academy?” lecture by Nigel Llewelyn 26 Nov 13.05hrs “Visions in The Studio: Women Pre-Raphaelite Painters and Their Work” lecture by art historian Nicola Jackson 19 Nov 13.05hrs

* University of Brighton Sallis Benney Theatre Grand Parade Brighton 0273 603005 “Women And The Art Market In The Eighteenth Century” One day conference part of the programme of events to support the exhibition of Angelica Kauffman at Brighton Museum 14 Nov 10-17.30hrs

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* Tate Gallery Millbank London 071 821 1313 “Augustus And Gwen John” Patrons of British Art Inaugural Annual lecture given by biographer Micheal Holroyd 11 Nov 18.30hrs in Auditorium “Barbara Hepworth: Beauty as Absolute Equity” lecture by Sarah O’Brien 3 Dec in Room 27 13.00hrs

* Masbro Centre Gallery 87 Masbro Rd W14 081 603 1293 Israeli printmaker artist Rivka Sinclair 5 Nov slide talk 19-21hrs

* Pimlico Arts & Media St James the less Moreton St London SW1 071 976 6133 Women returners media course contact Jane Placca/Meena Julien

* Rear Window 58 Lambs Conduit St WC1 071 831 8196 Open gallery seminar with Simon Watney, Hermione Wiltshire & curator Peter Cross 15 Nov 17.00hrs